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- Upgrade For 5.7K Cinema Camera EVA1
- HD Camcorder HC-MDH3
- Panasonic AG-CX350
- Panasonic AU-EVA1
- Panasonic AG-DVX200
- Hibino Transparent LED Display
Firmware 3.0 offers 4K60p 10-bit Capture and Hardwire Remote Control
Dubai, United Arab Emirates
Panasonic has announced a free firmware upgrade, Version 3.0, for the AU-EVA1, which provides greater cost efficiency and futureproofing for the handheld cinema camera. Announced at the ongoing CABSAT 2019 at the Dubai World Trade Center, the third firmware upgrade features a new HEVC H.265 codec that can record in 4K 50p/60p video with 4:2:0 10bit video sampling. Compared to the H.264 codec in version two, this allows up to twice the amount of compressed data, while maintaining the same high-quality resolution.
Panasonic’s HC-MDH3 AVCHD Shoulder Mount Camcorder with LCD Touchscreen & LED Light is at home shooting corporate, event, or indie projects. It features a 1/3.1″ BSI MOS sensor for improved low-light performance and incorporates a 20x zoom lens with five-axis hybrid image stabilization. The lens also features a single manual ring that you select to control focus, zoom, or iris. Built into the top handle is an LED light for illuminating your subject.
Two viewfinders provide you with a choice of operating the camera with either a traditional tilt-up color EVF, or a pullout LCD high-resolution touchscreen. The LCD touchscreen is positioned above the lens for a more natural viewing experience when shooting handheld. The camera records in MP4, MOV, or AVCHD codecs, and features dual SDXC media card slots, allowing you to use relay or simultaneous recording. The lens incorporates an illuminating ring that indicates when the camera is in standby or record mode. You can also deactivate the indicator if you wish.
The Panasonic AG-CX350 4K Camcorder is designed for what Panasonic is calling the fusion of communication and broadcasting. A compact professional UHD 4K camcorder packed with features that you would expect to find in a full-sized camcorder. The AG-CX350 features a 1″ MOS sensor recording in UHD resolution (3840 x 2160), in the MOV format using a variety of data rates including 400 Mb/s, as well as in HEVC at up to 200 Mb/s. The camcorder can also record HD in MOV, as well as HD/SD in AVCHD format for legacy productions. You can choose from eight different gamma settings including HLG, which provides an HDR output in the camera. It also features variable frame rate capability from 1 to 60 fps in UHD and 1 to 120 fps in HD. Recording is to dual SD card slots, which provides for simultaneous, relay, and background recording.
Integrated into the camera is a 20x optical zoom lens with 32x intelligent zoom. The lens features 5-axis image stabilization and three discrete lens control rings, one each for focus, iris, and zoom. The camera features an OLED EVF and a 3.2″ LCD touchscreen monitor, and it has a built-in stereo microphone and two XLR audio connectors. Other connectors include both 3G-SDI and HDMI out (HDMI supports UHD), timecode in/out as well as USB 3.0, USB 2.0, and an Ethernet port for connecting to a network or wired streaming. An optional USB wireless adapter allows you to stream wirelessly.
Panasonic AU-EVA1 Compact 5.7K Super 35mm Cinema Camera
Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic‘s AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared to non-super-sampled recordings. Panasonic’s acclaimed Dual Native ISO technology is also incorporated into this sensor. Dual Native ISO uses alternative circuitry within the sensor, rather than adding gain or shifting the gamma of the original signal output, to increase sensitivity while maintaining a high signal-to-noise ratio. The standard native ISO is 800, which works for most production situations. This can be switched to 2500 when working in dim scenarios.
An EF lens mount at the front of the body supports a wide range of interchangeable lenses from popular manufacturers. Directly behind the mount is an electronically controlled ND filter wheel offering 2, 4, and 6 stops of filtration for cutting down on excess light, letting you set your lens’s aperture to fit the desired aesthetic of your production. For further flexibility, the IR-cut filter is defeatable for shooting in extreme low-light situations or for creative color effects.